• Expositions personnelles (sélection)
  
• Expositions collectives 1999/89(sélection)

Expositions personnelles, installations et performances (sélection)

1998 Ikon Gallery, Birmingham

1997  Rights of Passage - Galerie Anne de Villepoix, Paris Transitions and Disgressions - Jay Gorney Modern Art, New York

1996  In the Place of the Public, installation - Haus der Kulturen der Welt Kongresshalle, Berlin ; et projection vidéo dans l’exposition collective Family/Nation/Tribe/Community : SHIFT - Neue Gesellschaft für bilbende Kunst, Berlin Everyday Objects : Videotapes by Martha Rosler - Art Gallery of Ontario, Toronto Martha Rosler Reads Vogue - Paper Tiger Televion, Bronxnet, New York

1995  Bienal de Video - Museo de Arte Contemporàneo, Santiago, Chili Born To Be Sold - Paper Tiger Television, Manhattan Neighborhood Network, Brooklyn Cable Access, Bronxnet, and Printed Matter Bookstore, New York
In the Place of the Public, The Bowerie in Two Inadequate Descriptive Systems, If It’sToo Bad to Be True, It Could Be DISINFORMATION et Secrets From The Street : No Disclosure, installations, exposition inaugurale : Public Information : Desire, Desaster, Document - San Francisco Museum of Modern Art

1994  In the Place of the Public - Contemporary Arts Center,Cincinnati, (Ohio)-  Kunstlerhaus, Stuttgart - Palais des Beaux Arts, Bruxelles

1993  In the Place of the Public - Jay Gorney Modern Art, New York
An Empty Space in Ottensen : Contaminated by History, Capital, and Asbestos, In the project City Tour organisé par Sabine Siegfried et Eva Bothe - Hambourg, Allemagne
Public art project : Seattle : Hidden Histories, in the series In Public : Seattle - Seattle Arts Commission (sponsor)
Monografico de Martha Rosler, in the series « Politicas de Genero » - Valencia, (Espagne)

1992  Born to Be Sold - Manhattan Cable, New York

1991  Bringing the War Home : Photomontage from the Vietnam War Era - Simon Watson Gallery, New York

1990  « Politische Diskurse in der amerikanischen Videokunst »
- Galleri 7.0.7, Frankfurt

1989  If You Lived Here … (extraits de films, lectures de poésie, projection de films… Forums ouverts sur l’habitat, les sans-domiciles et les visions urbaines) - Dia Art Foundation, New York
1988  Born to Be Sold - American Film Institute Video Festival, Los Angeles

1987  Global Taste : A Meal in Three Courses - Cornell, Cinema, Ithaca, New York
Focus : Martha Rosler - Institute of Contemporary Art, Boston

1996  Installations vidéo - Electronic Arts Gallery, Minneapolis
Installation vidéo - Los Angeles Center for Photographic Studies and EZTV, Los Angeles

1995  Video - University/Community Video, Minneapolis

1984  Two Evenings of Video - Powerhouse Gallery, Montréal

1983  Commentaries, Fascination with the (Game of the) (Exploding) (Historical) Hollow Leg (performance et installation dans l’exposition collective de 4 personnes, avec Jo Harvey Allen, Theodora Skipitares, Francesca Torres) - Sibell-Wolle Fine Arts Gallery, University of Colorado, Boulder
Martha Rosler : Six Videotapes, 1975-1983 - The Office, New York (video) - Institute of Contemporary Arts, London

1982  Watchwords of the Eighties (performance) - Dance Theater Workshop, New York

1981  Documenta 7, Watchwords of the Eighties , (performance) - Museum Fridericianum, Kassel
Optimism/Pessimism : Constructing a Life, (Los Angeles-London Performance Exchange) - Franklin Furnace and Just Above Midtown/ Downtown, Gallery New York

1980  Exposition et performance - University Art Museum, University of California, Berkeley
The Kitchen, New York (avec Allan Sekula)

1979  Sketch for a Ritual of Mutual Atonement : For Alice (performance) - Interaction Arts, New York

1978  What’s Cooking II (performance festival), Getting the News (performance) - University of California, San Diego
Domination and the Everyday (performance) - Institute of Contemporary Art, Los Angeles
Video Free America - San Francisco
Véhicule Art - Montréal

1977  New American Filmmaker’s Series - Whitney Museum of American Art, New York
Travelling Garage Sale (performance-installation) - La Mamelle Gallery garage, San Francisco
CLOSE Artist’s radio, What’s Your Name, Little Girl ? (performance) - KPFK Radio, Los Angeles
Forced Choice - Arizona State University, Tempe
Foul Play in the Chicken House - Long Beach Museum of Art, California

1976  Parachute Center for Cultural Affairs, Calgary, (Canada)

1975  The Evening News (Cable broadcast with Allan Sekula) - College Art Association, Los Angeles

1974  A Gourmet Experience (performance) - University of California, San Diego

1973  Vital Statistics of a Citizen, Simply Obtained (performance) - University of California, San Diego
Monumental Garge Sale (performance) - University of California, San Diego

1999  Social Sculpture - Munich
Billboard - Museum of Contemporary Art, North Adams, Massachusetts

1998  The Hartnett Galler - University of Rochester, New York Sites, (commissaire d’exposition : Whitney I.S.P) - Whitney Museum of American Art at Champion Plaza, Stanford, (CT) Mysterious Voyages : Exploring The Subject of Photography, (commissaire d’exposition : Gary Sangster) - Contemporary Museum, Baltimore, (MD)
From the Body : Allegories of the Feminine - Museo de Bellas Artes de Caracas, Venezuela

1997/98  Airport - Photographer’s Gallery, London - Nederlands Foto Institut, Rotterdam

1997  New Jersey Arts Annual, 1997 - The Newark Museum Eye of the Beholder : Photographs from the Avon Collection - International Center of Photography Midtown, New York Public Service and Other Announcements (avec Laurie Anderson, Barbara Kruger Jenny Holzer, Bill Viola, Stan Douglas, Gran Fury, Tom Kalin) - Philadelphia Museum of Art Views from Abroad III (selections from the Whitney collection made by the Tate Gallery, London) - Whitney Museum of American Art, New York Artits’ Videos From the Late 60’s/Early 70’s (commissaire d’exposition : Beatrice von Bismarck) - Kunstverein, Hambourg
Environ 27 ans (Peut-être un peu plus…) - Palais de l’Athénée, Genève Vraiment : Féminisme et Art, (commissaire d’exposition : Laura Cottingham) Magasin/ Centre National d’Art Contemporain de Grenoble
Collages (commissaire d’exposition : Ken Graves) - School of Visual Arts, Pennsylvania State University, University Park

1996/97  Views From Abroad - Museum Für Moderne Kunst and Whitney Museum of American Art, New York

1996  Avant l’Histoire (commissaires d’exposition : Jean-Paul Ameline, Marc Bormand, Brigitte Léa et Chris Dercon) - Centre Georges Pompidou, Paris Art at the End of the 20th Century (commissaires d’exposition : David Ross et Eugenie Tsai) - National Gallery and Alexander Soutzos Museum, Athènes Art Is Not Enough - Shedhalle, Zürich Caustic Cooperations : Works by Dara Birnbaum, Joan Braderman and Martha Rosler - Pacific Film Archive, Berkeley (California) Wish You Were Here (commissaire d’exposition : Otto Berchem, avec Pierre Bismuth, Shane Cam, Alicia Framis, Erik Weeds) - De Appel, Amsterdam Now Here, section titled Incandescent (commissaire d’exposition : Laura Cottingham) Louisiana Museum of Modern Art, Humlebaek (Danemark) Reel Works : Artists Films and Videos of the 70’s, (commissaire d’exposition : Dara Meyers-Kingsley) - Museum of Contemporary Art, Miami
Inside the Visible (commissaire d’exposition : Catherine de Zegher) - Institute of Contemporary Art, Boston - National Museum of Women in the Arts, Washington, D.C. - Whitechapel Gallery, London - Art Gallery of Western Australia, Perth

1995  Mass. ; Video as Cultural Critique - Harvard Film Archive, Cambridge Segundo Bienal de Video - Museo de Arte Contemporaneo, Santiago, (Chili) Paper Tiger Television, Manhattan Neighborhood Network Photocollages - Le Consortium, Dijon
From the Permanent Collection : Photography, Sculpture, Painting - The Whitney Museum of American Art, New York

1994  Rudiments d’un musée possible - Musée d’Art Moderne et Contemporain, Genève Crash : Nostalgia for the Absence of Cyberspace, (commissaires d’exposition : Robert Reynold et Thomas Zummer) - Thread Waxing Space, New York Videotext Series : TV/Media/Science/Gobbledegook (avec R. Serra, C. Schoolman, J. Finley, A. Muntadas, J.Saunders et L. Platt) - Walker Art Center, Minneapolis

1993  Musée d’Art Contemporain - Montréal Femmage (Feministische und Kunst) - Vienne Decade Show (organisé par The Museum of Modern Art, New York) - Hara Museum of Contemporary Art, Tokyo
Le Corbusier’s Unité d’Habitation, How Do We Know What Home Looks Like ? for Firminy Project (commissaire d’exposition : Yves Aupetitallot) - Firminy, France In Transit, (commissaire d’exposition : France Morin) - The New Museum of Contemporary Art, New York

1992  Video and Women - Patronano Municipal Cultura de Sebastiàn, San Sebastiàn (Espagne) Beyond Glory : Re-presenting Terrorism - Maryland Institute, College of Art
Two Decades (vidéo) - The Museum of Modern Art, New York Dirt and Domesticity Constructions of the Feminine - Whitney Museum of American Art at Equitable Center, New York Video Works by UCSD Faculty and Graduate Alumni - University of California, San Diego

1991  Preservation Acts - The Kitchen, New York Artists of Conscience : 16 years of Social and Political Commentary - Alternative Museum, New York

1990  IV Foto Bienal - Vigo, Espagne White Noise (broadcast program) - BBC2 Television Words and Images with a Message, (commissaire d’exposition : Nancy Spero) - Women’s Studio Workshop, New York

1989/90  Making Their Mark : Women Artists 1970/1985 - Cincinnati Art Museum, New Orleans - Museum of Art, Denver - Art Museum, Pennsylvania -  Academy of Fine Arts, Philadelphia